Camera systems rental
A curated selection of cameras for high-end commercial photo and video work
Each camera ships in case with the accessories listed. Available standalone, with our lens or lighting systems, or as part of a wider studio + crew booking.
RED V Raptor X with Z-mount
The flagship 8K cinema camera in our line-up. RED's V-Raptor body paired with the global shutter from the KOMODO line and a native Nikon Z mount — meaning fast, accurate autofocus on Nikkor Z lenses, plus PL-mount cinema-lens compatibility through our Metabones Z-to-PL speedbooster.
Global shutter is the headline feature: no rolling-shutter distortion on fast motion, no jello on whip pans, no skewed frames during a strobe burst. 17+ stops of dynamic range in standard modes, up to 20+ with Extended Highlights, and frame rates that scale from 8K full-frame at 120fps down to 2K at 600fps — useful when slow-motion needs to live inside a regular commercial shoot without changing camera bodies.
Phantom Track function captures distinct R3D clips for each subframe slice — useful for virtual production workflows or live broadcast with dedicated ad overlays.
Comes in a Peli case with the Ignite-Digi keystone camera cage, the Z-to-PL speedbooster adapter, and the Mutiny power and I/O module with V-mount battery plate and wall power adapter. Additional accessories can be added to the rental.
A range of Nikkor Z mount and PL mount lenses is available alongside this body. See our lenses rental for more information.
Sensor | 35.4 Megapixel (8192 x 4320) VV Full Frame CMOS with global shutter |
Dynamic Range | 17 stops |
REDCODE RAW internal recording formats and frame rates *Sensor Crops During Recording | 8192 x 4320 up to 120 fps 7168 x 3780 up to 140 fps* 8192 x 3456 up to 150 fps 6144 x 3240 up to 160 fps* 7168 x 3024 up to 175 fps* 5120 x 2700 up to 192 fps* 6144 x 2592 up to 200 fps* 5120 x 2160 up to 240 fps* 4096 x 2160 up to 240 fps* 4096 x 1728 up to 300 fps* 3072 x 1620 up to 320 fps* 3072 x 1296 up to 400 fps* 2048 x 1080 up to 480 fps* 2048 x 864 up to 600 fps* |
Video Output SDI 12G/BNC | 4096 x 2160 up to 60.00 fps 2048 x 1080 up to 60.00 fps |
Connectivity | 2x BNC (12G-SDI), Wi-Fi, USB-C |
Weight | 1800g (body only) |
Storage | 1x slots (CFexpress Type B) |
Battery type | V-mount using the power I/O module |
Sensor | 21 Megapixel (5120 x 4096) S35 CMOS with global shutter |
Dynamic Range | 11 stops |
ProRes 10 bit internal recording formats and frame rates | 5K up to 600 fps 4K up to 800 fps 3K up to 1000 fps 2K up to 1500fps |
File format | Apple ProRes 422 LT 10 bit |
ISO native | 100, 200 and 400 |
Video Output HD-SDI/HDMI | 1080p24/25/30 |
Connectivity | 1x BNC (12G-SDI), 1x HDMI, Wi-Fi, USB-C |
Weight | 920g (body only) |
Storage | 4Tb Internal NVMe SSD |
Battery type | V-mount using the power I/O module |
Freefly Ember S5K high speed camera
The high-speed camera in our line-up, paired regularly with the V-Raptor X for shoots that mix regular and slow-motion footage at cinema resolution.
5K at 600fps, 4K at 800fps, 3K at 1000fps, 2K at 1500fps — for splash, pour, ingredient, drop and reveal shots that need to land at full resolution rather than dropping to a lower frame size mid-sequence. 10-bit ProRes 422 LT recording onto a 4TB internal NVMe SSD: about 36 minutes at 5K/600fps, or 45 minutes at 4K/800fps before the card needs offloading.
PL-mount lenses available for use with the Ember through our Metabones E-to-PL speedbooster. See our lenses rental for more information.
Comes in a Peli case with the Ember Media Expander module, the Ignite-Digi keystone cage, the E-to-PL speedbooster adapter, and the Mutiny power and I/O module with V-mount battery plate and wall power adapter. Additional accessories can be added to the rental.
Phase One IQ4 150MP
A 151MP medium-format back on Phase One's XF body — for stills work where image quality and sensor real estate matter more than speed. The sensor is roughly 1.5× the area of a typical mirrorless medium-format, with up to 15 stops of dynamic range and the kind of file size that gives retouchers serious room to crop, recompose or push detail in post.
Comes in a Peli case with battery charger and an extra set of batteries. Additional accessories can be added to the rental.
Sensor | 151 Megapixels 53,4 x 40,1 mm CMOS |
Shutter speed | 1/4.000 sec - 60 mins |
ISO sensitivity | 50 - 25.600 |
Exposure modes | Manual, Aperture priority, Shutter priority, Program |
Metering options | Matrix, Centre, Spot |
Flash modes | External only |
Connectivity | Wi-Fi, USB-C, HDMI |
Weight | 1890g (back plus camera body and prism finder) |
Storage | 2x slots (XQD and SD) |
Sensor | 45,7 Megapixels FX 35,9 mm x 23,9 mm CMOS |
Shutter speed | 1/32.000 sec - 30 sec |
ISO sensitivity | 64 - 25.600 |
Exposure modes | Manual, Aperture priority, Shutter priority, Program |
Metering options | Matrix, Center, Spot, Highlight |
Flash modes | TTL and iTTL |
Connectivity | Wi-Fi, USB-C, HDMI, BT, Ethernet |
Weight | 1890g (camera body, battery and memory card) |
Storage | 2x slots CFexpress Type B XQD |
Nikon Z9
A 45.7MP full-frame mirrorless body for fast-moving stills, lifestyle, and reportage-style commercial work. EXPEED 7 processor, up to 120 fps burst, blackout-free electronic viewfinder, and the autofocus system Nikon currently builds its top sports cameras around — capable when the subject won't sit still.
Comes in a Peli case with battery charger and an extra battery. Additional accessories can be added to the rental.
Sinar P3 digital technical camera
Comes in case with the eShutter control system. Additional accessories can be added to the rental.
Vertical shift | 4 cm up / 2 cm down |
Horizontal shift | 3 cm left / 5 cm right |
Tilt | Coarse +/- 45° Fine +/- 19° |
Swings | +/- 50° |
Sensor | 151 Megapixels 53,4 x 40,1 mm CMOS |
Shutter speed | 1/250 sec - bulb |
ISO sensitivity | 50 - 25.600 |
Exposure modes | Manual |
Flash modes | External only |
Connectivity | Wi-Fi, USB-C, HDMI |
Weight | 6500g (back plus camera body) |
Storage | 2x slots (XQD and SD) |
Get a quote on a camera rental
Tell us which camera (or cameras) you need, the shoot dates, and what you're shooting. We'll come back with availability, rates, and any package discounts if you're combining with the studio, lenses or lighting.